Rockall. Malin. Dogger. Finisterre.

I have had SUCH AN ANNOYING couple of weeks at work, where we are a) trying to organise a big event while b) going through a hugely unsettling big structural shakeup that c) means everyone's worried about their jobs while d) we are also missing a lot of staff and e) aren't allowed to hire anyone until b) is sorted out. It's now at vaguely comedic levels. On top of this, both kids have been ill, and on top of that my mother-in-law is moving house and needs oh so much help with that.

On a related note, I have been part way through writing a trickortreatex recs post for ages - a fic exchange with a lot of spooky stories - and STILL HAVEN'T FINISHED, not least because I have still hardly read any of the ones I wanted to read due to ^ that. So most of that is still to come, but since we are now at the author reveals point already here are the two written for me, which I did get around to reading!

Moments of Transition, Moments of Revelation by cahn (Babylon 5, Delenn/Neroon, T) - is an absolutely wonderful, long, plotty, AU where Sheridan stays dead at Z'Ha'Dum and it's Delenn and Neroon with an arranged marriage to preserve political stability.

Superposition by kanadka (Babylon 5, Branmer, T) - a pivotal moment in Branmer's life, which is both complex worldbuilding backstory and also Branmer backstory specifically, and fits like an absolute jigsaw piece into canon without being the shape I would have expected at all.

(These two also make a wonderful set of the two things I always felt were missing in B5 fandom when I was really active in it about 15 years ago, which were Delenn/Neroon stories (I mean! that chemistry!) and anything about Branmer. And I am so so so pleased to see things like this being written now!)

And the ones I wrote:

Haunted in small ways (Babylon 5, G), for kalirush - Vir, Lennier, and a station full of ghosts.

Some say the world will end in fire (Babylon 5, M) for cahn - Delenn/Neroon, Warrior Caste festivals and political scheming.

And things that go bump in the night (Ghosts, G) for Small_Hobbit - how do you run a haunted house event in an actual haunted house?

(Note - for the purposes of this, I'll be sticking to science fiction in film and TV, rather than books. That's a slightly different conversation.)

I love the rebooted Battlestar Galactica, up to and including the finale. It has its flaws - lagging sense of direction from time to time, weirdly forgetful writing, and a bit too much focus on the furrowed and angst-filled brow of Lee Adama, to name a few - but it's really, really good. And most of that goodness, without a doubt, comes from how beautifully dark and gritty and postapocalyptic it is. Main characters die, horribly and often. Humanity is nearly extinct. The ship that holds the last remnants of the population together is falling apart. This is the future, red in tooth and claw.

Most of the critics, obviously and justifiably, welcomed BSG with open arms. It's science fiction, but it's serious! It's dark! It makes disturbing points about contemporary American foreign policy! (Of course, some critics took all this to mean that it's not 'really' science fiction at all, merely a drama series set in space and therefore it's okay to like it, non-geeks!, but seriously - it's about killer robots who live in space, so give up.) I don't disagree with any of this as well-deserved praise, but I do take objection to the argument which quite often follows: that what's so good about BSG isn't that it does gritty realism very well, but that it does gritty realism at all, and that sci-fi which goes down this route is inherently better than sci-fi which doesn't.

To put it another way, I don't think BSG is superior to Firefly or Wall-E by virtue of being bleaker.

And yet there's a growing tendency, among sci-fi dabblers who don't want to be associated with all that silly stuff and among sci-fi fans who don't want people thinking their hobby is childish, to start thinking along just those lines. Good sci-fi is dark. Good sci-fi isn't suitable for children. Good sci-fi uses futuristic settings as allegories for contemporary issues. Good sci-fi certainly doesn't feature any cute robots, or aliens in ridiculous make-up, prosthetics, and costumes.

Make no mistake, I'm not disputing that Ron Moore did a great job of rebooting BSG. At the same time, I'm really glad that Russell T. Davies didn't go down that route with a dark, gritty, unsuitable-for-children Doctor Who, because that would have sucked. I'm glad J. Michael Straczynski was unapologetic about including weird-looking aliens as main characters. I'm glad Pixar created a cute, huggable robot. I'm glad George Lucas didn't design Star Wars as a thinly-disguised commentary on American politics of the 1970s, and I'm really, really glad he had absolutely no problem at all with escapism, because sci-fi would be a poorer place without someone to decide it needed Wookies, alien jazz bands, and Boba Fett.

Sci-fi is a big, broad genre. It's always had room for all of this, and it would be a shame if we ended up shrinking it out of a desire to make it 'better'.

(Don't ask about the thesis.)

Comment with one of my fandoms, or a fandom you think I might know, and I'll reply with:

01. The first character I first fell in love with
02. The character I never expected to love as much as I do now
03. The character everyone else loves that I don't
04. The character I love that everyone else hates
05. The character I used to love but don't any longer
06. The character I would shag anytime
07. The character I'd want to be like
08. The character I'd slap
09. A pairing that I love
10. A pairing that I despise

So you're cleaning all the pollen off your TV screen and a genie pops out. In return for freeing her, she offers to grant you 5 changes to any TV show(s) you wish. With only 5 wishes, what do you wish for?

I've got pretty good at rationalising away pretty much anything, but if there's a genie right there...

1) Make Chris Carter go back in time and actually have a plan for The X-Files. I don't even care what the plan involves, I'd just like there to be one.

2) Take Lennier's diary out of Objects at Rest. Actually, if this genie has really powerful associates: I'm okay with Lennier's betrayal being left as it is, since Something Big was clearly going to happen and I'm just glad it didn't involve his death, but change the eventual consequences to something involving reconciliation and forgiveness and happy endings for everyone involved as far as is possible.

3) A more believable take on Delenn's role in the war in In the Beginning, or at least some more of an indication that she was not the lone powerless voice speaking against the war that she so badly wants to remember herself as. Also, it would have been nice if we'd got to see Branmer a couple of times.

4) Uncancel Space: Above and Beyond.

5) Make whatever they did with Cordelia in Angel be some kind of bizarre hallucination everyone had for a very long time.

( Share the Female Character love. Ten female characters that have your undying affection, and why. )