Oct. 27th, 2004

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Funniest Movie Moment:
Toy Story. Yes, shush. All pretenses to great levels of sophistication went out of the window when I got a Buzz Lightyear action figure for Christmas a few years ago.

Woody: You are a toy! You're not the real Buzz Lightyear, you're an action figure! You are a child's plaything!
Buzz: You are a sad, strange little man, and you have my pity. Farewell.

Most Intense Movie Moment:
If we're going for 'scariest', then I can't watch - literally cannot watch, have to walk out of the room during - the scene in Stand By Me when the boys are being chased by a train. Trains don't scare me in any other context, and I have no idea what bothers me so much about that one. Second, the scene in Don't Look Now when Donald Sutherland catches up with the little figure in the red raincoat. Otherwise, I don't think many things in films do scare me any more; I was a devout X-Files follower (co-founder of my school's 'Mulder and Mulder's Hair Appreciation Society', aged 14) for too long, my academic work has centred on Scary Stuff for the past few years, and I think somewhere along the line I just got jaded, which is a shame.

Non-scary: The scene in One Flew Over The Cuckoo's Nest, when McMurphy returns from electroshock therapy for the final time. Maybe 'non-scary' isn't really appropriate, since although it's not frightening in an edge-of-the-seat way, it's utterly terrifying on its own level.

Also, the first time I saw The Empire Strikes Back, I didn't know Luke Skywalker was Darth Vader's son and was still young enough to scream "No!" at the screen.

Most Heart-Wrenching Movie Moment:

The scene which should have been the last one of The Shawshank Redemption. Red's last words, after setting off to Mexico to look for Andy: "I hope I can make it across the border. I hope to see my friend and shake him by the hand. I hope the Pacific is as blue as it is in my dreams. I hope."

The film ruins the impact of this, IMHO, by showing Andy and Red meeting up again in Zihuatenejo, which is so not the point. The important thing isn't that Andy escaped from prison; it's that Red, for the first time in his life, has hope. Although it's a pretty heart-wrenching film all round, this moment wins for making all Andy's suffering before it (which was itself well-handled and non-gratuitous - learn, Mel) worthwhile.

Best Dance Number in a Movie:

I blame every single teenage sleepover party I ever went to for this one: Dirty Dancing, after the "Nobody puts Baby in a corner!" line.

Best Adaptation of a Classic Work:

I like Baz Luhrmann's Romeo + Juliet, which does a very nice combination of keeping dialogue mostly intact and transposing the action to a completely different setting. (I especially loved some of the minor details - the prince being replaced by "so-and-so Prince, Chief of Police" in particular.) However, Clueless wins, for managing to be sweet enough to make Jane Austen's 'a heroine no-one but myself will much like' as likeable as Emma is in the novel and for being the only romantic comedy which doesn't make me roll my eyes.

Favorite Bond Moment: Revoke my citizenship, do what you must, but I don't actually like Bond films all that much. Either every scene with Judi Dench as M, or Q in Tomorrow Never Dies. (Bond has just discovered how to use the phone-operated car, and zooms it about at ninety miles an hour before bringing it to a screeching stop inches away from hitting both of them. Q, deeply unimpressed: "Grow up, 007.")

Greatest Martial Arts Moment:I know nothing about martial arts, and therefore I'm interpreting this one as 'fight scene', in which case the duel from The Phantom Menace (yes, shut up, I like the prequels, and 80% of the Star Wars fans should stop grumbling that Star Wars isn't as good as it was when they were eleven, thank you) wins. The lightsaber duels in the original three films were okay, but here you get the impression that the people involved seriously want to hurt each other, and it's much more effective for it.

And applying the meme to books: )
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